A. G. Lombardo's wildly entertaining debut reimagines the 1965 Watts Riots as an Homeric journey through rioting cops, burning streets, CIA conspiracies and the potentially fatal semiotics of race and oppression in America. Along the way, we also run into Godzilla, Elijah Muhammad, the greatest taggers in the history of Los Angeles freeway art and a deadly fortune cookie war.
”Evan Wright, author of Generation Kill
Prism: Stories Through Light Showcase
[Borne] insists that to live in an age of gods and sorcerers is to know that you, a mere person, might be crushed by indifferent forces at a moment’s notice, then quickly forgotten. And that the best thing about human nature might just be its unwillingness to surrender to the worst side of itself.
”Laura Miller, New Yorker
on Borne by Jeff VanderMeer
A MOODY YARN THAT CANNILY MERGES PUNK-ROCK WORLD WEARINESS AND REAL-WORLD CRIMINALITY.
”Kirkus Reviews on Safe by Ryan Gattis
[Ullman is] a strong woman standing up to, and facing down, ‘obsolescence’ in two different, particularly unforgiving worlds—modern technology and modern society.
”J. D. Biersdorfer, The New York Times Book Review
on Life in Code by Ellen Ullman
Crosley is a literary addiction. There is no substitute. She is curious. She is smart. She is hilarious and edgy and generous and impossible to stop reading.
”Heidi Julavits, author of The Folded Clock
News
MCD Backs the Tularosa Basin Downwinders Consortium
Announcing Maria Dahvana Headley's radical translation of BEOWULF!
News
THE MAMBA MENTALITY KOBE BRYANT
Rich is a talent with a full head of steam, and he possesses that quality I admire most in any novelist—a mind for details that is equal parts percipient and original . . . His authorial vision is both a delight and a terror to behold.
”Maxwell George, Oxford American
on King Zeno by Nathaniel Rich
A brilliant, unflinching account . . . Singular and powerfully strange . . . It is hard to imagine a more insightful account of mass grief and its terrible processes. This book is a future classic of disaster journalism, up there with John Hersey’s Hiroshima.
”Rachel Cooke, The Guardian
on Ghosts of the Tsunami by Richard Lloyd Parry
An addictive dive into dangerous, extreme obsession. A must-read.
”Julia Crouch, author of Her Husband's Lover about Our Kind of Cruelty
Fucking incredible. Hamilton has created both an unsparing psychological portrait of a generation—a generation that could just about see a new world through the tear gas—and a poetic, searing depiction of a revolution betrayed.
”Molly Crabapple on The City Always Wins by Omar Robert Hamilton
A sort of American Psycho from the prostitute’s point of view, a damning, often hilarious account of toxic masculinity and Wall Street money culture.
”Alexandra Schwartz, New Yorker
on Ultraluminous by Katherine Faw
News
LA Times Praises MCD
In the masterful and rueful Whiskey, the sentences and dialogue burn like 100 proof shots of the novel’s namesake: smoky, sharp, and chased with black humor.
”Whitney Terrell, author of The Good Lieutenant
on Whiskey by Bruce Holbert
