[The First Collection of Criticism by a Living Female Rock Critic] is by turns loose and warm and finicky and outraged, and its best pieces are more observant than 94 percent of the first novels that have come my way this year. 

"If Annie Dillard wrote about data, it might sound something like this. In turns insightful, hilarious, techy and humane, Living in Data is an essential book for anyone who’s wondering how exactly we got into this data mess, and thinking about how we might dig...”

Sorrowland is a wonderland of fantastical and frightening, magical and real, in a world refreshingly unlike ours, yet scarily the same. At the center of this world and leaping off the page is Vern: unstoppable, unforgettable, and unlike anyone you have ever seen...”

"I fell in love with The Recent East, which is absolutely spellbinding. Thomas Grattan’s writing on family, displacement, and queerness is so well wrought, intimate, and mesmerizing. This is an exquisite and profound novel. I will be pushing it in the hands of...”

"[A] brilliant debut novel . . . Livings calls to mind the work of Michael Chabon as he brings insight into the way events and circumstances shape his characters' lives. This is one to savor."

Brontez Purnell’s 100 Boyfriends is a symphony of sex, trouble and wisdom—as if the composer had sex with each member of the orchestra by way of getting it right. An electric prismatic genre-defying punk literary flight, Purnell is twirling here— I loved every page....”

“If you’re a fan of UFOs and insane heat, this is your book.”

“Somewhere at the intersection of pulp and surrealism, drawing on the very best of both traditions, is Jeff VanderMeer’s Ambergris. Unsettling, erudite, and shot through with unexpected humor...Ambergris is one of my favourite haunts in fiction”

"Absolutely brilliant . . . Each character is complex and beautifully drawn, and the ending was genuinely surprising. There’s art, theft, tight family bonds, and intricate plotting—it’s really got everything."

"Of the four translations I’ve read, Headley’s is the most readable and engaging. She combines a modern poetry style with some of the hallmarks of Old English poetry, and the words practically sing off the page . . . Headley’s translation shows why it’s vital to...”

“[A] hybrid narrative of travel, rebellion, swagger, restlessness and indignation . . . An eloquent epitaph.”

"A stunning, dark novel about who women want to be and the reality of who they are.”

“Perfectly observant down to the smallest details, this account of drinking, sobriety, and starting (and then restarting) a manageable life is one of those books that is deeply serious, witty, and wonderfully compelling. Nothing Good Can Come from This seems to...”

"Nicola Griffith is a brilliant creator of fierce female protagonists. With So Lucky, she fires a gritty, scary, wrathful, sometimes blisteringly funny broadside at the monsters of ableist culture."

"It’s been a long wait for Joshua Wheeler’s first book, but it would have been worth the wait even if we’d had to wait twice as long. Full of fine lines mined by a still-young writer, Acid West is worth its weight in gold."

"This is a book that’s as crazy and unpredictable as an urban uprising; it’s a phantasmagoric journey, written in precise and haunting prose, through a wounded and defiant city called Los Angeles."

"In the masterful and rueful Whiskey, the sentences and dialogue burn like 100 proof shots of the novel’s namesake: smoky, sharp, and chased with black humor."

“VanderMeer’s apocalyptic vision, with its mix of absurdity, horror, and grace, can’t be mistaken for that of anyone else."

"A sort of American Psycho from the prostitute’s point of view, a damning, often hilarious account of toxic masculinity and Wall Street money culture."

“A wild, geeky, flour-dusted ride through the oddball food and techie communities of San Francisco . . . A winning story that—like its namesake bread—carries a satisfying tang.”

Life in Code is a consummate insider's take, rich with local color and anecdotes . . . Ullman has a pure passion for computing that doesn't stop her from recognizing all the ways it can isolate and intimidate . . . Like all great writers, she finds the universal in...”